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Exodus 36

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1 The LORD has given to Bezalel, Oholiab, and others the skills needed for building a place of worship, and they will follow the LORD's instructions.

2 Then Moses brought together these workers who were eager to work,

3 and he gave them the money that the people of Israel had donated for building the place of worship. In fact, so much money was being given each morning,

4 that finally everyone stopped working

5 and said, "Moses, there is already more money than we need for what the LORD has assigned us to do."

6 So Moses sent word for the people to stop giving, and they did.

7 But there was already more than enough to do what needed to be done.

8 The skilled workers got together to make the sacred tent and its linen curtains woven with blue, purple, and red wool and embroidered with figures of winged creatures. Each of the ten panels was fourteen yards long and two yards wide,

9 (SEE 36:8)

10 and they were sewn together to make two curtains with five panels each.

11 Then fifty loops of blue cloth were put along one of the wider sides of each curtain, and the two curtains were fastened together at the loops with fifty gold hooks.

12 (SEE 36:11)

13 (SEE 36:11)

14 As the material for the tent, goat hair was used to weave eleven sections fifteen yards by two yards each.

15 (SEE 36:14)

16 These eleven sections were joined to make two panels, one with five and the other with six sections.

17 Fifty loops were put along one of the wider sides of each panel,

18 and the two panels were fastened at the loops with fifty bronze hooks.

19 Two other coverings were made--one with fine leather and the other with ram skins dyed red.

20 Acacia wood was used to build the framework for the walls of the sacred tent.

21 Each frame was fifteen feet high and twenty-seven inches wide

22 with two wooden pegs near the bottom. Then two silver stands were placed under each frame with sockets for the pegs, so they could be joined together. Twenty of these frames were used along the south side and twenty more along the north.

23 (SEE 36:22)

24 (SEE 36:22)

25 (SEE 36:22)

26 (SEE 36:22)

27 Six frames were used for the back wall along the west side

28 with two more at the southwest and northwest corners. These corner frames were joined from top to bottom.

29 (SEE 36:28)

30 Altogether, along the back wall there were eight frames with two silver stands under each of them.

31 Five crossbars were made for each of the wooden frames, with the center crossbar running the full length of the wall.

32 (SEE 36:31)

33 (SEE 36:31)

34 The frames and crossbars were covered with gold, and gold rings were attached to the frames to run the crossbars through.

35 They made the inside curtain of fine linen woven with blue, purple, and red wool, and embroidered with figures of winged creatures.

36 They also made four acacia wood posts and covered them with gold. Then gold rings were fastened to the posts, which were set on silver stands.

37 For the entrance to the tent, they used a curtain of fine linen woven with blue, purple, and red wool and embroidered with fancy needlework.

38 They made five posts, covered them completely with gold, and set them each on a gold-covered bronze stand. Finally, they attached hooks for the curtain.

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The Contemporary English Version (CEV)

The Contemporary English Version (CEV) is a modern Bible translation that aims to make the scriptures accessible and understandable to a broad audience, including children and those with limited English proficiency. Published by the American Bible Society in 1995, the CEV emphasizes clarity, readability, and ease of comprehension. Unlike more literal translations, the CEV uses a thought-for-thought translation philosophy, which focuses on conveying the original meaning of the text in a way that is clear and straightforward for contemporary readers.

One of the key features of the CEV is its use of everyday language and simple sentence structures. The translators avoided theological jargon and archaic terms, instead opting for language that is commonly used in daily conversation. This makes the CEV particularly well-suited for public reading, educational settings, and outreach programs where the audience might not be familiar with traditional biblical language. The translation strives to communicate the essence of the biblical message without the barriers that complex language can sometimes create.

The CEV also pays special attention to cultural sensitivity and inclusivity. The translators sought to avoid expressions and idioms that might be misunderstood or offensive in different cultural contexts. Additionally, the CEV includes gender-neutral language where appropriate, aiming to make the text more inclusive while still remaining faithful to the original manuscripts. This approach helps ensure that Bible teachings are accessible to a diverse global audience, promoting understanding and acceptance across different cultures and communities.

Despite its strengths, the CEV has faced some criticism from those who prefer more literal translations. Critics argue that the CEV emphasises on simplicity and readability which can sometimes result in a loss of nuance and depth found in the original languages. Some theologians and scholars believe that the thought-for-thought approach may oversimplify complex theological concepts. Nevertheless, the Contemporary English Version remains a valuable resource for many readers, offering a clear and approachable rendition of the Bible that is particularly effective for those new to the scriptures or those seeking a more accessible way to engage with the biblical text.