Esther 1 | » |
1 This is the story of something that happened in the time of Xerxes, the Xerxes who ruled from India to Ethiopia--127 provinces in all.
2 King Xerxes ruled from his royal throne in the palace complex of Susa.
3 In the third year of his reign he gave a banquet for all his officials and ministers. The military brass of Persia and Media were also there, along with the princes and governors of the provinces.
4 For six months he put on exhibit the huge wealth of his empire and its stunningly beautiful royal splendors.
5 At the conclusion of the exhibit, the king threw a weeklong party for everyone living in Susa, the capital--important and unimportant alike. The party was in the garden courtyard of the king's summer house.
6 The courtyard was elaborately decorated with white and blue cotton curtains tied with linen and purple cords to silver rings on marble columns. Silver and gold couches were arranged on a mosaic pavement of porphyry, marble, mother-of-pearl, and colored stones.
7 Drinks were served in gold chalices, each chalice one-of-a-kind. The royal wine flowed freely--a generous king!
8 The guests could drink as much as they liked--king's orders!--with waiters at their elbows to refill the drinks.
9 Meanwhile, Queen Vashti was throwing a separate party for women inside King Xerxes' royal palace.
10 On the seventh day of the party, the king, high on the wine, ordered the seven eunuchs who were his personal servants (Mehuman, Biztha, Harbona, Bigtha, Abagtha, Zethar, and Carcas)
11 to bring him Queen Vashti resplendent in her royal crown. He wanted to show off her beauty to the guests and officials. She was extremely good-looking.
12 But Queen Vashti refused to come, refused the summons delivered by the eunuchs. The king lost his temper. Seething with anger over her insolence,
13 the king called in his counselors, all experts in legal matters. It was the king's practice to consult his expert advisors.
14 Those closest to him were Carshena, Shethar, Admatha, Tarshish, Meres, Marsena, and Memucan, the seven highest-ranking princes of Persia and Media, the inner circle with access to the king's ear.
15 He asked them what legal recourse they had against Queen Vashti for not obeying King Xerxes' summons delivered by the eunuchs.
16 Memucan spoke up in the council of the king and princes: "It's not only the king Queen Vashti has insulted, it's all of us, leaders and people alike in every last one of King Xerxes' provinces.
17 The word's going to get out: 'Did you hear the latest about Queen Vashti? King Xerxes ordered her to be brought before him and she wouldn't do it!' When the women hear it, they'll start treating their husbands with contempt.
18 The day the wives of the Persian and Mede officials get wind of the queen's insolence, they'll be out of control. Is that what we want, a country of angry women who don't know their place?
19 "So, if the king agrees, let him pronounce a royal ruling and have it recorded in the laws of the Persians and Medes so that it cannot be revoked, that Vashti is permanently banned from King Xerxes' presence. And then let the king give her royal position to a woman who knows her place.
20 When the king's ruling becomes public knowledge throughout the kingdom, extensive as it is, every woman, regardless of her social position, will show proper respect to her husband."
21 The king and the princes liked this. The king did what Memucan proposed.
22 He sent bulletins to every part of the kingdom, to each province in its own script, to each people in their own language: "Every man is master of his own house; whatever he says, goes."
The Message (MSG)
The Message (MSG) is a contemporary, paraphrased translation of the Bible, crafted to bring the scriptures to life in modern, conversational English. Developed by pastor and scholar Eugene H. Peterson, The Message was published in segments starting in 1993, with the complete Bible released in 2002. Peterson’s aim was to make the Bible accessible and engaging for today’s readers, breaking down the barriers posed by traditional, formal language. His work sought to capture the original tone, rhythm, and intent of the biblical texts, presenting them in a way that resonates with contemporary audiences.
One of the defining characteristics of The Message is its use of dynamic equivalence, focusing on conveying the thoughts and meanings behind the original texts rather than adhering to a word-for-word translation. This approach allows for the use of idiomatic expressions and modern phrasing, making the scriptures feel more relatable and immediate. Peterson, who had a deep understanding of both the biblical languages and modern culture, aimed to bridge the gap between the ancient world of the Bible and the everyday experiences of today’s readers.
The Message has been praised for its readability and ability to convey the emotional and narrative elements of the Bible in a fresh, vivid manner. Its accessible language makes it particularly appealing to those who might find traditional translations difficult to understand or intimidating. Many readers appreciate The Message for its ability to make familiar passages feel new and impactful, often shedding light on the scriptures in ways that resonate on a personal level. It is frequently used in personal devotions, group studies, and church services where clarity and relatability are paramount.
Despite its popularity, The Message has faced criticism from some scholars and traditionalists who argue that its paraphrased nature can lead to oversimplification and loss of nuance. Critics contend that in striving for contemporary relevance, The Message sometimes departs too far from the original texts, potentially altering the intended meanings. However, supporters of The Message appreciate its ability to engage modern readers and spark interest in the Bible, seeing it as a valuable tool for evangelism and discipleship. Overall, The Message stands out as a bold and innovative translation that has made a significant impact on how many people experience and understand the Bible.