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2 Chronicles 5

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1 So all the work that Solomon had done for the house of the LORD was finished; and Solomon brought in the things which his father David had dedicated: the silver and the gold and all the furnishings. And he put [them] in the treasuries of the house of God.

2 Now Solomon assembled the elders of Israel and all the heads of the tribes, the chief fathers of the children of Israel, in Jerusalem, that they might bring the ark of the covenant of the LORD up from the City of David, which [is] Zion.

3 Therefore all the men of Israel assembled with the king at the feast, which [was] in the seventh month.

4 So all the elders of Israel came, and the Levites took up the ark.

5 Then they brought up the ark, the tabernacle of meeting, and all the holy furnishings that [were] in the tabernacle. The priests and the Levites brought them up.

6 Also King Solomon, and all the congregation of Israel who were assembled with him before the ark, were sacrificing sheep and oxen that could not be counted or numbered for multitude.

7 Then the priests brought in the ark of the covenant of the LORD to its place, into the inner sanctuary of the temple, to the Most Holy [Place,] under the wings of the cherubim.

8 For the cherubim spread [their] wings over the place of the ark, and the cherubim overshadowed the ark and its poles.

9 And the poles extended so that the ends of the poles of the ark could be seen from [the holy place,] in front of the inner sanctuary; but they could not be seen from outside. And they are there to this day.

10 Nothing was in the ark except the two tablets which Moses put [there] at Horeb, when the LORD made [a covenant] with the children of Israel, when they had come out of Egypt.

11 And it came to pass when the priests came out of the [Most] Holy [Place] (for all the priests who [were] present had sanctified themselves, without keeping to their divisions),

12 and the Levites [who were] the singers, all those of Asaph and Heman and Jeduthun, with their sons and their brethren, stood at the east end of the altar, clothed in white linen, having cymbals, stringed instruments and harps, and with them one hundred and twenty priests sounding with trumpets --

13 indeed it came to pass, when the trumpeters and singers [were] as one, to make one sound to be heard in praising and thanking the LORD, and when they lifted up their voice with the trumpets and cymbals and instruments of music, and praised the LORD, [saying:] "[For He is] good, For His mercy [endures] forever," that the house, the house of the LORD, was filled with a cloud,

14 so that the priests could not continue ministering because of the cloud; for the glory of the LORD filled the house of God.

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The New King James Version (NKJV)

The New King James Version (NKJV) is a modern translation of the Bible that seeks to preserve the stylistic and literary beauty of the original King James Version (KJV) while making it more accessible to contemporary readers. The project to create the NKJV began in 1975, spearheaded by Arthur Farstad and a team of over 130 scholars, theologians, and pastors. They aimed to maintain the traditional language and rhythm of the KJV while updating archaic terms and expressions to be more understandable for modern audiences. The translation was completed and published in 1982, offering a blend of reverence for the past and clarity for the present.

One of the defining features of the NKJV is its commitment to the Textus Receptus, the same Greek text underlying the New Testament of the KJV. This ensures a high degree of continuity between the two versions, making the NKJV familiar to those who have long cherished the KJV. However, the NKJV also considers findings from more recent scholarship and textual criticism, incorporating insights from the latest manuscripts and research. This approach helps to balance respect for the historical text with a recognition of the advancements in biblical studies.

The NKJV has been praised for its readability and poetic qualities, which make it suitable for both private study and public worship. Its translators worked diligently to preserve the lyrical and memorable phrasing of the KJV, which has deeply influenced English literature and religious practice. By modernizing the language without compromising the text’s inherent dignity and solemnity, the NKJV has become a popular choice among those who value both accuracy and elegance in their Bible reading.

Despite its strengths, the NKJV has faced criticism from some quarters. Critics argue that by adhering too closely to the Textus Receptus, it may not fully reflect the breadth of available manuscript evidence. Others feel that it may still be too archaic for some readers, especially those who are new to the Bible or who come from different linguistic backgrounds. Nonetheless, the NKJV remains a significant and respected translation, offering a bridge between the venerable tradition of the KJV and the needs of modern readers.